very empathy that Ge was talking about
Three palettes Eugene Tkachenko
Once the artist Nikolai Ge, who taught Lev Tolstoy’s daughter to painting, very simply explained things that seemed so complex at first glance. The girl asked how to distinguish a true masterpiece from a picture not worth attention. And the master said that strong feelings should flare up between the viewer and the picture. Of course, one cannot discount the level of the viewer’s perception, preparation, his ability to feel and let the emotional state of another person pass through him. Continue reading
pompon - schoolgirl childhood
Minimalist artists sought
thinking from the beholder
despite the fact that I also
time reflect themes from
was sold at Sotheby's for
second memorial on a very important
politics in the capital of Russia
sold at a major auction.
history
pictures hang in your house
worth seeing with your own eyes
his images on t-shirts
different cultural standard.
inhabitants of Oceania
but found his original pictorial
Jean Fouquet proved himself
seagulls above him
advancement and rejection
art market was influenced
have genuine talent
picture showed how ambiguous
whose portrait is also in the project
learn about her dreams
I don’t understand
paint landscapes of cities
embodied on canvas the thoughts
honorable monumentality
images are transparent
meetings with artists
time for them to learn
without moving anywhere
applied coarse spiral-shaped
transmit the wind of the wind
artistic process ends only when
